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“Lambert & Stamp,” a documentary from director James D. Cooper, now playing, chronicles the fascinating story of these business partners who took a rough-and-tumble group known as the High Numbers and, as its managers, helped transform Pete Townshend, Roger Daltrey, Keith Moon and John Entwistle into the legendary rock band The Who. Along the way, Lambert and Stamp created a successful label, Track Records, and produced the Jimi Hendrix Experience. They lived like rock stars. But drugs, disagreements and money eventually got in the way. The Who fired them in the 1970s most comfortable ballet flats with arch support.
Lambert, who battled drug and alcohol addiction, died in 1981 at age 45 from a cerebral hemorrhage after a fall at his mother’s house. Stamp also had dealt with substance abuse but, unlike Lambert, turned his life around and became a psychodrama therapist and addiction counselor most comfortable ballet flats with arch support. Cooper, a cinematographer who makes his feature debut with “Lambert & Stamp,” describes the film as a love story. In fact, he notes, women who attended early screenings told him that “this is probably the first, and most brilliant, examination of the vulnerabilities of men.”..
When he pitched the idea to Stamp, whom he had known for several years, Cooper told him, “I don’t want to do a Who documentary. I want to do something about the emotional reality of this.”. When Stamp finally agreed to participate, he told Cooper, “If you are willing to put yourself through this, you will have my complete participation and availability.”. “Lambert & Stamp” features a treasure trove of archival footage from the era, a pulsating soundtrack and revealing interviews with Townshend, Daltrey and most notably the charismatic Stamp, who died of cancer in 2012 at age 70 most comfortable ballet flats with arch support.
“In the last couple of years, you could see his health catching up with him,” Cooper says. “I knew he was having some issues, but he never brought that to the forefront. He entered into this process with me, and he wasn’t going to be the first to say, ‘It’s too much.’ He just kept showing up and showing up in a marvelous way.” most comfortable ballet flats with arch support. Because Lambert had been dead for almost 35 years, Cooper says it was challenging to make audiences feel his presence in the film. “We were incredibly fortunate that both of these guys had been filmed to the degree they had,” Cooper says. “But just because you have footage of the (people) doesn’t necessarily mean you are presenting them in a character arc. We had to work very hard in the structure of the film to develop (Lambert’s) character and to keep his placement in the film.”..
The new RADICAL series, intended to create new works and new ways to experience the arts, also includes performances by St. Louis Symphony, Kronos Quartet, Texas theater group the Rude Mechanicals and the Mark Morris Dance Group. The 2015-16 season also will see Wynton Marsalis and Twyla Tharp Dance performing on the UC Berkeley campus. The big news for the new season is Berkeley RADICAL (Research and Development Initiative in Creativity, Arts, Learning), which will combine residencies, performance, the commissioning and documentation of new works, and more most comfortable ballet flats with arch support. The initiative is divided into three distinct areas: The Natural World, ReVisions, and ZellerBACH..