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Dalis, a celebrated mezzo-soprano who spent 20 years with New York’s Metropolitan Opera, died Dec. 14 after a short illness. She was 89. In her years onstage, the San Jose native enchanted audiences throughout America and Europe, in demanding roles ranging from Amneris in “Aida” to Kundry in “Parsifal.”. “Frankly, I haven’t planned any part of my life pointe shoe width chart. But it all fell into place, and I had a fabulous career,” said Dalis in August of last year, as she was preparing for her 30th and final season with the company she started in 1984..
Opera San Jose was Dalis’ “baby,” not only her pride and joy but the city’s as well. Patterned after the small European houses that launched her singing career, Opera San Jose is the only resident program of its kind in the United States. Dozens of aspiring singers have had the luxury of honing their art while taking on leading roles in works by the genre’s greatest composers. Dalis was famously strict, yet nurturing in her guidance pointe shoe width chart. As exacting as she was in every aspect of running the company–keeping it in the black until fairly recently was a special point of satisfaction–the impresario did not shy away from constructive criticism..
Lise la Cour, who was the school director of Ballet San Jose for 10 years, recalled meeting Dalis for the first time a little more than a decade ago. When la Cour, a recent transplant from her native Denmark, attended her first Opera San Jose performance, she was appalled by the choreography pointe shoe width chart. Not only did the company’s founder and general director concur with the dancer’s harsh assessment, she agreed to let la Cour choreograph as many operas as fit her schedule. That arrangement continues today..
Another of Dalis’ lasting gifts to the city she loved so much is a refurbished California Theatre, which Opera San Jose has called home since its 2004-05 season. Thanks in part to her desire to move her company there from the much smaller Montgomery Theater, the Packard Humanities Institute and the San Jose Redevelopment Agency joined forces to rehabilitate the dilapidated structure pointe shoe width chart. Speaking of iconic downtown venues, the now-shuttered San Jose Rep building on Paseo de San Antonio is in cliffhanger mode, unwittingly mirroring many of the dramas that unfolded on its stage..
The “blue cube” was home to the theater troupe that closed abruptly in June, shocking fans, the surrounding community and the arts world at large. Performance arts seem always to be dancing on the edge of survival; in this case, as in so many, the killer was financial adversity. The Rep filed for Chapter 7 bankruptcy, bringing to an end years of uncertainty over its bottom line. It was a galling finale to the enterprise that began in 1980, when James P pointe shoe width chart. Reber founded the San Jose Repertory Company, which eventually dropped the “Company” and subbed in “Theatre.”..