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“I enjoy playing with the audience. It’s a coquettish role, the fine line between sweet and sexy. The challenging aspect is the finesse of dancing in heels with props,” Felsch says, laughing. Felsch received tips from Smuin Ballet Artistic Director Celia Fushille. “She was the original ‘Santa Baby,’” Felsch says. “So, of course, she showed me all the tricks of the trade — like how to properly hold the boa.” ballroom dance shoes los angeles. Cast members rotate roles during the Bay Area tour. “Everyone gets a shot at performing, which is great, because every dancer is unique and has their special quality, and the audience gets to see that.”..
Felsch, who dances in some of this year’s new choreography, has also performed the first act classical solo “Ave Maria” number, a stark contrast to “Santa Baby.” ballroom dance shoes los angeles. “Ave Maria” is very emotional. For me, it feels like an angel that’s reaching out to the audience. It’s very quiet and poetic. The music is moving and beautiful. You get to experience so many different styles and emotions within this one ballet.”. The nature of this program brings in people who aren’t necessarily ballet regulars. “It’s a perfect mixture for newbies or people who have really never experienced any kind of dance, let alone ballet. It draws them in and then, by the second act, everyone’s on board. It’s like, ‘OK, let’s all party together.’”..
Youngsters attending may be inspired to try on their own ballet slippers. “We have a lot of kids coming backstage, wanting to have their programs signed and asking, ‘What’s it like to wear this costume?’ Within the show, there are so many costume changes. I may have a minute to change my hair, costume and shoes from one number to the next, and then jump out on stage as if it had magically happened. That’s the stressful part about the show ballroom dance shoes los angeles. But the kids are fascinated by how it happened. So we give them the inside scoop.”..
From a very young age, the theatrical Felsch was presenting her own Broadway-style shows in her living room, for her parents. Much of the athletic Felsch’s energy went into gymnastics. Reaching a highly competitive level, she began studying ballet to enhance the gymnastics. Eventually she had to choose between the two. At 10, she decided that ballet was her true passion. “At that age, I really knew that was what I wanted. And from that point, it was a runaway train.”. Gymnastics had an effect on her dancing. “It gave me a power, a strength, which gave me an edge up on other dancers. And it gave me a fearless quality. I appreciated having that, because I always threw myself into things, in training. I wasn’t afraid to try stuff.” ballroom dance shoes los angeles.
At 14, Felsch left home to study at North Carolina School of the Arts. Then she was part of the pre-professional program at San Francisco Ballet for her junior and senior years of high school, touring extensively. Her parents understood Felsch’s need to perform. They had met on stage at College of Marin, where Robin Williams was a drama classmate. “I have a history of dance in my family ballroom dance shoes los angeles. My grandparents were principal dancers for San Francisco Ballet in the 1940s. They performed the very first ‘Nutcracker’ ever to be performed in the U.S. We had a very special connection, because of dance. They were very proud of me. They were able to see me perform on the Opera House stage, where they had performed. That was with SFB, before I joined Smuin. My grandmother was always very fond of Michael Smuin and his choreography. So it’s pretty cool that I am now dancing for them.”..