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With an eclectic mix of classical and modern works ranging from Roland Petit and George Balanchine to Twyla Tharp, the ballet’s three new programs run Feb. 14 through May 11 at San Jose’s Center for the Performing Arts. The 28-year-old troupe is also delaying the premiere of one piece, Jorge Amarante’s “Grapa Tango,” until 2015. Ballet officials characterize these cutbacks as minimal. Saturday matinees have never been very popular and the company, which has 36 dancers, will still feature live music at most of its shows. Also the troupe has a history of using recordings to save money ballroom connection dance shoes.

“We hate to forgo live music but the truth is there are a lot of pristine recordings out there,” says Ziesel. “The sound will still be lovely.”. “We are trying to make strategic cuts that the audience won’t feel,” agrees Millicent Powers, the head of Ballet San Jose’s Board. “Our goal is to put the artists and the audience first.”. The Ballet, which formed a partnership with New York’s iconic American Ballet Theatre in 2012, has suffered a few financial setbacks in recent months. The holiday cash cow, “The Nutcracker,” missed its ticket goal by an estimated $75,000. There has also been a pullback in the level of support from John Fry, historically the company’s biggest angel. Fry has donated more than $20 million to the troupe in the last decade ballroom connection dance shoes.

Citing confidentiality concerns, Powers declined to specify the exact level of decrease in donor support from Fry. “There is nothing but gratitude here for what Fry has done for the ballet,” says Powers. “That is the reason we are here today.”. Ziesel is optimistic that the ballet can continue to regain its footing ballroom connection dance shoes. Ticket sales are on track. Theatergoers with tickets for the scrubbed matinees will receive seats for another performance. The budget now stands at $5.4 million, down from a high of $8 million in 2009-2010. A recent fundraising gala netted $66,000 in donations..

Cantor Arts Center at Stanford University. “Flesh and Metal: Body and Machine in Early 20th-Century Art,” more than 70 artworks that explore a central dynamic of art making in Europe and the Americas between the 1910s and the early 1950s, through March 16. 11 a.m.-5 p.m. Wednesdays-Sundays; Thursdays till 8 p.m ballroom connection dance shoes. Stanford campus, off Palm Drive at Museum Way. 650-723-4177 or museum.stanford.edu. Gallery House. “Wit & Whimsy,” photographs by Steve Shpall and watercolors by Debbie Bakker. Through Feb. 1. Gallery House, 320 S. California Ave., Palo ALto. 650-326-1668..

Gallery 9. Recent photography by Los Altos artist Bill Scull. Through Feb. 1. The exhibit includes intimate portraits from Jamestown, a fishing village in Ghana in West Africa. Gallery 9 hours: 11 a.m.-5 p.m. Tuesdays-Saturdays; noon-4 p.m. Sundays ballroom connection dance shoes. Gallery 9k, 143 Main St., Los Altos. 650-941-7969 or www.gallery9losaltos.com. Mohr Gallery. Revealing the Unseen — Paintings & Drawings by Andy Gouveia & Drew McSherry. Through Jan. 26. Mohr Gallery, Community School of Music and Arts, Finn Center, 230 San Antonio Circle, Mountain View. Free. www.arts4all.org or 650-917-6800, ext. 305..

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