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Anderson said the Halloween ballet and the dance carnival are enormous undertakings, but he hopes they will become popular annual events that will help the company offset costs of any other future projects. He describes the strategy as similar to the way dance companies often rely on their annual “Nutcracker” productions to support the rest of their seasons. Since its launch in 2002, the company has licensed works from such contemporary masters as Antony Tudor, Twyla Tharp, Daniel Ezralow and Lar Lubovitch, while also commissioning more than 40 world premieres white pointe shoes instagram. Performing at Walnut Creek’s Lesher Center and in other Bay Area venues, the company in 2010 was named one of “25 to Watch” by Dance Magazine and has been nominated for seven Isadora Duncan Awards, which honor Bay Area dance artists..

The company program this weekend at the Lesher Center included what this newspaper’s critic, Ann Murphy, called the “musically stormy” and athletic “Weather One,” a world premiere by former American Ballet Theatre ballerina Susan Jaffe, and the “brooding and often beautiful” “Railroad Joint” by Yuri Zhukov white pointe shoes instagram. The company will repeat the program Feb. 13 to 16 at the Yerba Buena Center in San Francisco and plans a spring program, “Adjusting the Lens,” to be performed at the ODC Theater in San Francisco April 25 to May 3 and at the Lesher Center May 5 to 11..

Anderson never mentioned what, exactly, has been brewing behind the scenes, although trouble was apparent when he announced that executive director and company co-founder Elizabeth Reed was retiring. Whatever led Company C to this juncture, the changes ahead for the small, artistically erratic chamber troupe mean dancers will be let go and with them the idea of a repertory company. While Anderson says he aims for a “project-based” organization, and new forms in the arts always are emerging, right now the word for that structure is pick-up company, with a single artist putting on concerts intermittently white pointe shoes instagram.

Under these storm clouds, the troupe soldiered on and danced with an earnest verve that approached but never quite nailed the elegance it aimed for. The dancers were at their most polished in the musically stormy “Weather One,” a world premiere by former American Ballet Theatre ballerina Susan Jaffee set to the evolving electronic chamber work by the same name written by composer Michael Gordon, of Bang on a Can fame. “Weather One” opened with projections of darning needle-sized rain drops. Later we saw flashes of lightning. And above the dancers’ head hung small light-catching silver rectangles, which, as they were hit with stage light, suggested illuminated apartment windows high off a city street white pointe shoes instagram.

“Weather One” had an athletic, at times pugilistic style that suited Company C’s dancers and included the weighted plié of a boxer and tight, fighting arms, aggressive kicks and emphatic pirouettes. Turns and leaps repeatedly dissolved into brief, lyrical couplings so that these fraught patterns seemed like a series of short squalls. “Nine Person Precision Ball Passing,” was all sunshine, by contrast. Twenty-eight years ago, Charles Moulton, then a downtown choreographer in New York and now a Bay Area resident, created this notoriously ingenious, winsome, and devilish exercise in limited, precision task action — the passing of foam balls in three ascending lines of three movers each white pointe shoes instagram.

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