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I don’t mind Justin and Nick, but it’s a real shame that the dance crews are shown in broken-up bits and not a full routine. If the program is going to have such a competition, they should allow enough time to show what the dancers can do freed canvas ballet shoes. This week, the crews were Breaksk8, a group from the Midwest that does break dancing and stunts on roller skates, and Academy of Villains from Northern California, an “illusional dance company” that relies on theatrical tricks in its routines..

No final scores were revealed for last week’s crews, and we were only shown that Academy was leading in the Twitter voting at show’s end. As for the auditions, there was once more awesome talent on display, some with incredible, emotional stories freed canvas ballet shoes. The judges for Chicago were Nigel, ballroom expert Mary Murphy, and Fabrice Calmels, choreographer, model and dancer for the Jeoffrey Ballet. It’s impressive how much the judging panel knows about dancing! For those who don’t know, each applicant does an individual audition in a style of their choosing and will be sent directly through to the call-backs, or sent for a test of learning choreography, or gently shown the door. Those who make it successfully through the choreography also get tickets to the L.A. call-backs..

I guess I’m getting a little tired of so many dancers doing contemporary with some of the identical moves. So some dancers tonight who were a little different caught my attention freed canvas ballet shoes. I really liked Paul Brushaber, an 18-year-old from Illinois, who created a style of dance he calls “puppeting.” When he dances, he looks like a marionette without the strings but in a much more lyrical way. Nigel was dazzled by his body control and Fabrice was impressed that Paul created his own style. Yep, he got a ticket..

Franchesca Bass, 18, has a condition called alopecia areta where all of her hair has fallen out. But the Indiana teen used her condition in her dance by pretending to be an alien being. Nigel was fascinated by her routine. I couldn’t take my eyes off of her, however, I don’t know how well her style will help her when she has to do couples work in the call-backs. But Chicago also had its “ICK Factor” — James Thomas called himself a hip-hop dancer who specializes in contortionism and bopping, a style created in the Windy City. It was just so weird to watch his shoulders pull out of joint and he did so many strange things with his arms that his dancing suffered. He was sent to choreography but dropped out because he couldn’t pick up the routine as quickly as his partner and he didn’t want to hold her back freed canvas ballet shoes.

In the end, host Cat Deeley said that 10 dancers from the Chicago auditions won tickets to the L.A. call-backs freed canvas ballet shoes. Then it was on to Los Angeles, uh, Hollywood, since it was the auditions, not the call-backs. This is getting confusing — why didn’t they try another city, like San Francisco or Oakland? Oh well. Nigel and Mary were joined by actress Christina Applegate, who knows a thing or three about tripping the light fantastic. Standouts for me included JaJa Vankova, a dancer from the Czech Republic now living in Chatsworth. She brought her female version of animation/crumping, and she really did it well. As Cat said in a short interview, “As a girl, I imagine it’s quite difficult.” But JaJa got a standing ovation from the judges and a ticket to the call-backs..

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