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Eight members of the San Francisco Symphony will perform as soloists during the season. Also, Tilson Thomas’s fascination with multi-media will continue to bear fruit. Composer Thomas Adès will conduct his own “In Seven Days,” described as “a concerto for piano with moving image” by video artist Tal Rosner (March 5-7, 2015) ballet slippers essie. Tilson Thomas will lead a performance of John Cage’s “Renga” that includes video, choreography and narration (May 16, 2016). And the Beethoven Festival will include a multi-media, semi-staged production of the Missa solemnis, directed by Michael Levine and featuring video design by Finn Ross (June 10-13, 2015)..
The subscription series is loaded with tempting programs. One led by Tilson Thomas arrives early, Sept ballet slippers essie. 25-28, 2014, featuring the orchestra, chorus and these works: Lukas Foss’s “Then the Rocks on the Mountain Began to Shout,” Charles Ives’s “Three Places in New England,” Johann Strauss’s “By the Beautiful Blue Danube Waltz,” György Ligeti’s “Lux aeterna” and Richard Strauss’s “Also sprach Zarathustra.” (You may know those last three works from film director Stanley Kubrick’s “2001: A Space Odyssey.”)..
Here’s another good one, also led by Tilson Thomas, Feb. 26-March 1, 2015: Brahms’s Violin Concerto in D major (with soloist Anne-Sophie Mutter); Alaska-based maverick composer John Luther Adams’ “The Light that Fills the World”; and Schumann’s Symphony No. 1. The season also includes Nino Rota’s score to “The Godfather” (Jan ballet slippers essie. 9-10, 2015), one of 15 works that the orchestra will perform for the first time. Also among the 15 will be three works — San Francisco Symphony co-commissions — by young composers Cynthia Lee Wong, Zosha di Castri and Samuel Adams..
I spoke last week to Tilson Thomas, who commented on many aspects of the season. Here’s part of our interview. A Thanks, you’re the first person to say that! It’s really taken me totally by surprise. I don’t feel tremendously different. I still feel the love and curiosity for the music I get to make. It’s really the same. Q Tell me about you and Bonnie Raitt. You’re friends?. A Yes, for a long time, and I have such an appreciation of what she does. Oh my God, she’s just such an artist. And there’s the tradition she comes from, what her dad did — I’m an omnivore when it comes to songs and American songs, especially. She comes to our (San Francisco Symphony) concerts, and then we also have fun hanging out and singing through bits and pieces of golden oldies, the wonders of yesterday ballet slippers essie.
Q Like what?. A How about “New York’s a Lonely Town (When You’re the Only Surfer Boy Around)”? (The Trade Winds had a Top 40 hit with that one in 1965.) ballet slippers essie. Q There’s such a terrific focus on American composers next season. How come? It harks back to your first years with the orchestra and the original American Mavericks Festival. A I guess there’s a certain renewed doffing of the hat to that time. This music is still very important to me, and this new process of introducing new composers is important, too. And I like that it’s connected with the opening of SoundBox, which is a sort of laboratory in which a lot of new music can be done. It’s going to be a wonderful place for the musicians of the orchestra, for young composers working with multi-media. The collaborations that come out of that will have a resonance and a bearing on what goes on in Davies in the future, as well.”..