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Finally, Smuin Ballet seems to have grown up. Even “Carmina Burana” revealed artistic logic in being last in the lineup —— it combined the serial structure of “Dear Miss Cline,” Amy Seiwert’s sassy episodic work that opened the program, with some of the existential heft of the 1975 dance “Return to a Strange Land,” choreographed by Jiri Kylian and first performed by the Smuin Ballet last fall. “Burana,” 19 of Orff’s 24 songs in the cycle, is Smuin’s response to richly rhythmic vocal music largely sung in Latin and dating from the Middle Ages that is parodic, celebratory, profane, bawdy and yearning. It offers a vision of the world, warts and all, and the dancers, in Sandra Woodall’s elegant two-toned costumes, let the movement speak for itself, especially Christian Squires, who tore up the stage up in his Russian-inflected solo “Tanz” without an ounce of flirtation ballet slippers essie queen.
“Dear Miss Cline,” danced to the country songs of Patsy Cline, is a loving cartoon from the ’50s that veers from starched to sultry and reinforces that Seiwert is an inventive, musical choreographic talent. But on second viewing, the work seems to celebrate an almost shrill, if wry, domination by the women over the men, whose primary job is to haul the pretty partners around on pedestals of comic admiration. While the dancing unfolds in 10 songs, and offers plenty of admirable sweetness and fun, what’s missing is a hint of the toll such pert surfaces took on those Eisenhower gals ballet slippers essie queen.
“Return to a Strange Land” is unambiguous about where it stands and the toll that death, loss and transfiguration take. It was exactly right to place it at the center of the program, as the artistic fulcrum. Set to the melancholic Sonata No. 1 by Leos Janacek, it is Kylian’s lament for his mentor, John Cranko, who died suddenly in 1973 ballet slippers essie queen. This is a work of expected Kylian depth and seamless craft that unfolds like beautifully crafted poetry. Terez Dean is the central female in Part 1, echoing the central role women had in the other two works. But the men engage her like angels whose support has primary moral and spiritual importance, not like department-store armature. Later, we see Jo-Ann Sundermeier beautifully fold and unfold with Joshua Reynolds and Jonathan Dummar, the three entwining in demanding, natural and human patterns that carve layers of meaning into space..
I wrote a few paragraphs of this column between school drop-off and an appointment. I sent a bunch of emails between making dinner and taekwondo. Bedtime reading with the kids, then more writing at 1 a.m., after a few hours of sleep. Then back up at 4 a.m. to write and sign up for summer camp. There’s a name for this ballet slippers essie queen. It’s called “time confetti.” It’s miserable. And it’s part of why we are all Overwhelmed. My Washington Post colleague Brigid Schulte somehow carved out the hours to research and write a book — “Overwhelmed: Work, Love and Play When No One Has the Time” — about this modern-day madness, the abject misery of allegedly having it all..
It’s the plight of many middle-class working mothers trying to juggle careers, children, activities and friends. Boohoo for us, right? But it feels like being handed a fat check from the lottery, only one that’s been through a paper shredder. Confetti ballet slippers essie queen. Schulte and her husband, Tom Bowman, were talking about the book this week, and I had the brilliant idea of trying to get a few citizens of Overwhelmia together to hear their thoughts and share some of our own afterward. My mom friends and I all live in Overwhelmia. But, somehow, we usually find the time to get together and talk about having no time..